From the jump, Industry doesn’t waste time easing viewers back in. We pick up post-pandemic with Harper Stern (Myha’la Herrold), the enigmatic and street-smart protagonist, having ghosted her job for months, only to claw her way back into the cutthroat world of banking. But this time, she’s not just looking to survive—she’s aiming to dominate. Harper finds herself in the orbit of Jesse Bloom (Jay Duplass), a maverick hedge fund billionaire who represents the new guard of finance: disruptive, brash, and playing by his own rules. Their dynamic becomes a fascinating power play that crackles with tension and opportunity.

But Harper isn’t the only one making moves. Yasmin (Marisa Abela), the privileged but determined socialite-turned-banker, is trying to step out of her father’s shadow and carve out her own ruthless path. Her arc this season takes some dark and deeply personal turns, delving into her complicated family history and her willingness to wield her sexuality as both a weapon and a shield. Meanwhile, Robert (Harry Lawtey) continues his rollercoaster ride of self-destruction, bouncing between moments of charm and complete recklessness as he grapples with what he truly wants from his life and career.

And then there’s Eric (Ken Leung), the volatile, hyper-intense mentor who once championed Harper, now forced to navigate a shifting power structure as new leadership changes the game. His storyline becomes one of the season’s most compelling, as he battles to stay relevant in a world that’s always looking to push out the old guard in favor of the next big thing.

Season Two cranks up the pressure with the introduction of new characters and shifting allegiances. Venetia (Indy Lewis) shakes things up as a sharp junior analyst under Yasmin’s wing, while Rishi (Sagar Radia) and Gus (David Jonsson) maneuver their way through the murky waters of corporate ambition. The arrival of Celeste Pacquet (Katrine de Candole), a senior player in the industry, adds a whole new dimension to Yasmin’s arc, creating some of the season’s most electrifying and intimate moments.

But where Industry truly thrives is in its blistering dialogue, morally gray characters, and unflinching portrayal of finance as a high-stakes blood sport. The writing team, led by creators Mickey Down and Konrad Kay, continue to deliver razor-sharp scripts that feel as authentic as they are thrilling. There’s an energy to the show that’s unlike anything else on television right now—it’s Succession meets Euphoria, with a dash of Wolf of Wall Street swagger, and it never slows down.

Visually, the show remains sleek and stylish, with crisp cinematography capturing the cold, almost surgical precision of London’s finance world. The music choices are impeccable, blending electronic beats and pulsating soundscapes that mirror the frantic pace of the trading floor and the reckless hedonism that comes after-hours.

But make no mistake—this isn’t just a show about numbers and stock markets. Industry is about power, sex, loyalty, and the relentless pursuit of success in an environment that rewards the most ruthless players. Season Two dials up the intensity with deeper character studies, more volatile relationships, and some truly shocking twists that keep you on the edge of your seat.

Industry is currently streaming on Neon.

Image: SKY TV

The post ‘Industry’ – Season Two – Review appeared first on SpicyPulp.

The financial world has always been a fascinating backdrop for drama, but Industry doesn’t just use it as window dressing—it immerses itself fully in the trenches of this high-stakes battlefield. Unlike other finance-centric shows that focus on top executives, Industry shifts its gaze to the raw, hungry graduates fighting for survival in their first year at the prestigious Pierpoint & Co. This fresh perspective makes for an electric watch, as these young hopefuls claw their way to the top (or plummet spectacularly) in an environment that chews people up and spits them out without a second thought.

The story revolves around Harper Stern (Myha’la Herrold), an ambitious American outsider who arrives in London eager to prove herself but is quickly met with a world that is as unforgiving as it is enticing. Alongside her, we follow a diverse group of recruits, Yasmin (Marisa Abela), Gus (David Jonsson), Robert (Harry Lawtey), and Hari (Nabhaan Rizwan), each bringing their own baggage and ambitions to the chaotic trading floor. As they navigate gruelling work hours, impossible expectations, and an office culture that thrives on excess, they soon realise that their biggest competition isn’t just the market—it’s each other.

What sets Industry apart is its sheer authenticity. Creators Down and Kay, both former bankers themselves, bring a level of realism that’s rare in television. The cutthroat nature of Pierpoint & Co. is depicted in all its brutal glory, from the relentless pressure to perform to the morally dubious ways people secure their positions. The dialogue is laced with insider jargon, but rather than alienating viewers, it draws them into the chaos, making them feel like they’re right there on the trading floor.

This authenticity extends to the show’s exploration of sex, drugs, and power. Industry refuses to sanitize the excesses of high finance, embracing the messy, self-destructive ways its characters cope with the immense pressure. The result is a show that feels raw, urgent, and completely unpredictable.

Leading the charge is Myha’la Herrold, whose performance as Harper is nothing short of mesmerizing. She’s the ultimate wildcard—brilliant yet reckless, confident yet deeply insecure. Herrold plays her with a magnetic intensity, making Harper both deeply frustrating and impossible to look away from.

Marisa Abela shines as Yasmin, a privileged but underestimated recruit whose journey from overlooked assistant to formidable power player is one of the season’s most satisfying arcs. David Jonsson’s Gus exudes charm and intelligence, though his unwillingness to play the game leaves him vulnerable. Harry Lawtey’s Robert is all swagger and self-destruction, while Nabhaan Rizwan’s Hari provides an early gut punch that sets the tone for the rest of the season.

The supporting cast is just as formidable, with Ken Leung’s Eric Tao stealing every scene as the ruthless yet oddly paternal managing director. His mentorship of Harper is one of the show’s most complex dynamics, oscillating between genuine care and ruthless exploitation.

From its slick cinematography to its pulsating electronic soundtrack, Industry oozes style. Directors like Lena Dunham (who helms the electrifying first episode) bring a kinetic energy that mirrors the high-pressure environment of Pierpoint. Every shot, every frantic phone call, every coke-fueled after-hours party serves to heighten the tension, making the series impossible to turn away from.

The writing is equally sharp, effortlessly blending corporate strategy with deeply personal struggles. Characters aren’t just grappling with office politics—they’re wrestling with identity, class, privilege, and the crushing weight of expectation. The show’s refusal to spoon-feed its audience only adds to its appeal, trusting viewers to keep up with its breakneck pace.

Industry isn’t just another workplace drama—it’s a ferocious, high-stakes thriller that captures the raw ambition and desperation of a world where one wrong move can end a career before it even begins. With its fearless storytelling, standout performances, and a world that feels all too real, this is prestige TV at its most addictive.

Industry is currently streaming on Neon.

Image: SKY TV

The post ‘Industry’ – Season One – Review appeared first on SpicyPulp.