A passionate and tumultuous love story set against the backdrop of the Yorkshire moors, exploring the intense and destructive relationship between Heathcliff (Jacob Elordi) and Catherine Earnshaw (Margot Robbie).

A Fever Dream on the Moors

Across the past decade, Fennell has proven herself a filmmaker unwilling to be restrained by convention, genre, or narrative safety. From the razor-edged provocation of Promising Young Woman to the decadent, venomous seduction of Saltburn, she has continually pushed audiences toward discomfort, intimacy, and revelation. With “Wuthering Heights”, she takes her greatest narrative risk yet, unleashing a deeply personal, wildly sensual interpretation of Emily Brontë’s gothic classic — a film of immense feeling and feral romantic intensity that completely redefines Valentine’s Day cinema.

Emerald Fennell’s Burning Projection

Early speculation suggested “Wuthering Heights” might employ a modern framing device; a contemporary character stepping into Brontë’s tale. In a sense, this is true. That character is Emerald Fennell herself.

This adaptation plays like a projected fever dream: the emotional, sensual, and psychological reality of Fennell reading Wuthering Heights, her thoughts and desires elevated into a heightened cinematic state. What unfolds feels less like a traditional adaptation and more like an intimate psychic experience — images intensified, emotions amplified, passions unrestrained. As an audience, we are plunged directly into Fennell’s subconscious, and the result is utterly bewitching.

This is a film that ignites every sense. You leave trembling with adrenaline, skin prickling, heart racing. It’s an experience that makes you shudder, gasp, and ache; a visceral reminder of cinema’s ability to overwhelm.

Maximalist Gothic Romance

There is nothing restrained about “Wuthering Heights”. Every creative choice is pushed to its most expressive extreme, transforming Brontë’s tragic romance into a grand gothic fantasia told at maximalist volume.

Fennell’s collaborators elevate this vision into something operatic. Cinematographer Linus Sandgren, production designer Suzie Davies, costume designer Jacqueline Durran, composer Anthony Willis, and pop provocateur Charli XCX combine forces to create a world that feels colossal yet deeply intimate, a living, breathing manifestation of desire.

The film’s visual palette evolves with its characters: from dark, brooding earth tones that reflect Cathy and Heathcliff’s feral youth at Wuthering Heights, to the baroque, fairy-tale decadence of Thrushcross Grange, where longing mutates into obsession. Sandgren’s imagery is crisp, vivid, and unapologetically cinematic – every frame drenched in atmosphere, never bland, always alive.

Intimacy as Character

Jacqueline Durran’s costume work is nothing short of rapturous. With over 60 costume changes, Margot Robbie’s Catherine Earnshaw is adorned in a wardrobe that charts her journey from impoverished yearning to bourgeois decadence, and ultimately to the visual expression of her own rebellious, carnal fantasies. Each garment is luxurious, symbolic, and narratively purposeful.

Jacob Elordi’s Heathcliff undergoes an equally striking transformation. From ragged stable boy to Byronic anti-hero, his wardrobe reflects power, menace, and sensual authority. In his tailored coats and waistcoats, Elordi cuts a devastating figure: dangerous, magnetic, and undeniably alluring. These costumes are not mere spectacle; they actively drive character, emotion, and narrative momentum.

Anthony Willis’s sweeping score, punctuated by Charli XCX’s modern pulse, completes the sensory assault. Together, sound and image create a symphony of longing, lust, and heartbreak, unified by Fennell’s uncompromising vision.

Eroticism Without Apology

Fennell fully unleashes the erotic undercurrents of “Wuthering Heights”. The sexual repression of the 1800s erupts into heat, sweat, and skin-on-skin yearning; a raw portrait of romantic passion finally allowed to breathe.

The film’s eroticism is fearless yet purposeful. Shocking at times, tender at others, these moments are never gratuitous. Instead, they feel deeply rooted in character and history, as though Brontë’s own suppressed passions have been liberated. This sensuality builds empathy rather than spectacle, pulling the audience into the emotional core of the story.

Love, Humour, and Emotional Ruin

At its heart, “Wuthering Heights” is an exploration of love in all its forms: blissful, destructive, innocent, and cruel. Fennell holds nothing back, allowing each emotion to crash over the audience in waves.

Surprisingly, humour finds its way into the film at unexpected moments, offering brief flashes of levity that sharpen rather than soften the tragedy. These moments of wit remind us of Fennell’s mischievous hand and prevent the film from collapsing under its own intensity.

Margot Robbie and Jacob Elordi: Perfectly Matched Flames

The film’s final, essential triumph lies in the incendiary pairing of Margot Robbie and Jacob Elordi. Together, they generate a magnetic, combustible intensity that defines this adaptation.

Robbie’s Catherine is wild, volatile, deeply flawed; a woman torn between sincerity and cruelty, longing and pride. She never judges the character, instead embracing her contradictions and rendering Catherine as a complex portrait of womanhood in emotional freefall.

Elordi’s Heathcliff is equally compelling: feral, vengeful, seductive, and terrifying. From rain-soaked physicality to simmering emotional menace, he embodies a dark romantic fantasy; a man driven by obsession, violence, and twisted devotion. Elordi owns every choice, marking this as another milestone in his rapidly evolving career.

Together, they are electric; a pairing that burns itself into the audience’s memory.

Final Verdict: A Valentine’s Day Reckoning

Emerald Fennell’s “Wuthering Heights” is a wild, lust-fuelled, untamed fever dream of love in all its excess. Bold, unapologetic, and emotionally unrestrained, this is a film that taps directly into the raw, dangerous power of desire. It will shatter expectations, scandalise the faint-hearted, and leave audiences frothing, breathless, and emotionally wrecked. Let it possess you. Let it consume you. You will come undone.

Image: Warner Brothers

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Watch the all-new trailer for Emerald Fennell’s “Wuthering Heights” below:

The new trailer for Fennell’s spectacular and bold adaptation of Brontë’s literary classic provides audiences with deeper context. It focuses on the dark and troubled relationship between headstrong wanderer and dreamer Catherine Earnshaw (Margot Robbie) and the abandoned, lost Heathcliff (Jacob Elordi). As the trailer unfolds, it descends into a portrayal of gothic horror, depicting how Heathcliff, cast out from the homestead of Wuthering Heights, returns to seek personal and grievous vengeance.

The new trailer focuses on the complex love story at the heart of “Wuthering Heights”. It showcases Fennell’s in-depth exploration of love, examining various aspects — from the innocence of a first kiss to the joy of blossoming desires. The trailer also delves into the raw and passionate feelings that arise from intimate moments, as well as the pain, heartbreak, and sorrow that often accompany these emotions. All of this is captured in the trailer, promising to enhance the experience of “Wuthering Heights” for audiences.

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One cannot also look past her maximalist vision for this story as through production design, scene decoration, costuming and hair and make-up, she crafts an errie, dreamlike ambience of bright colours and an almost operatic vision of hedonistic splendour that imagines this story as a fairy tale, and it’s heightened atmosphere will radiate the senses for audiences.

We also must say that Fennell has not shied away from the erotic undertones of the narrative, and with its Valentines Day release and plenty of bare skin, suggestive shots and heavy petting, Wuthering Heights will surely become an aphrodisiac for many looking to amplify their attractions and desires.

The new trailer also debuts in the wake of our first take of the film’s ambitious and haunting score from artist Charlie XCX, whose tracks “House” and “Chains of Love” have recently debuted online and have created a firestorm of passion form fans who have now sampled a new taste of what this bold feature has to offer.

Emerald Fennell’s “Wuthering Heights” is without-a-doubt one of our most anticipated releases of 2026, and with its maximalist leanings and fully rendered exploratin of the depths of love this will be a cinematic feature to savour and taste in every delicious mouthful when it arrives in cinemas on Valentines Day.

Image: Warner Brothers Pictures

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Watch the all-new trailer for A Big, Bold, Beautiful Journey below:

Here’s the official synopsis:

Some doors bring you to your past. Some doors lead you to your future. And some doors change everything. Sarah (Margot Robbie) and David (Colin Farrell) are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on A Big Bold Beautiful Journey – a funny, fantastical, sweeping adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present…and possibly getting a chance to alter their futures.

Robbie and Farrell have never looked better in this moving, heartfelt romance story that brings a simple story of two lost people, Sarah and David, who stumble upon one another and undergo a transformative experience of dream-like wandering, and audiences are going to be in for something transformative with this picture.

Filmmaker Kogonada’s unique filmmaking style is on full view, and he’s looking to push the romantic-comedy into a new direction. While there will be some amusing hijinks, there’s also a jolt of heavy, heart-wrenching drama, and it looks like you’ll need to bring your tissues along to this one.

If you’re looking to experience all the feels, then you’ll find them with A Big, Bold, Beautiful Journey, and this is a picture that will make you smile, laugh, and cry in equal measure, and it’s certain to be one of cinema’s most moving experiences of the year when it arrives in cinemas on September 18.

Image: Sony Pictures

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We’ve bene waited with baited breath for a first look at visionary amnd rising autuer filmmaker Emerald Fennell’s “Wuthering Heights” and the director, alongside her leading lady, Margot Robbie, delivered unto us a first look at their bold, fever-dream adaptation of Emily Bronte’s classic of gothic literature Wuthering Heights. And it’s eroticised trailer will spin you into a fit orgiastic-ecstasy with the promise of a bold and brazen new adaptation of classic literary source.

Watch the all new trailer for “Wuthering Heights” below:

From the outset it’s clear that Emerald Fennell’s “Wuthering Heights” is ‘not your momma’s Wuthering Heights’ and this is a film that is going to be a wild and eroticised story of burning passions, scared love and quivering gothic horrors and we’re all for this radical new interpretation that could make for one of 2026’s most exciting and visceral cinematic experiences.

Packed out with corset-ripping romance and intoxicating ecstasy, the new teaser trailer gives a taste of what is to come, and Fennell and Robbie are playing up the all-consuming love of Catherine Earnshaw (Robbie) and Heathcliff (Jacob Elordi) to the max. You only have to look at Fennell’s work on the celebrated Saltburn to get a taste of what is to come with Wuthering Heights, and it is clear that she’s really turning up the volume with a film that will consume its audience with a mix of passion and raw sex appeal.

Robbie, who for some, makes for a very unconventional choice in the role of Catherine, appears haunted and touched by a nervous sexual tension, and through the course of the new teaser, it’s clear that we’ll get to see a different side of her in relation to her performance with this role, and it’s her most daring take to date. Then there’s rising A-lister Jacob Elordi who smoulders on-screen as Heathcliff, whose raw masculinity develops into a brooding swagger, and he’s sure to make all the girlies go weak at the knees.

Fennell and cinematographer Linus Sandgren build off of their previous collaboration in Saltburn and have taken a pure maximalist approach to the film’s visuals, and this is a production that is sure to pop on screen, and your senses will be on fire with this picture.

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“Wuthering Heights” is undoubtedly one of our most anticipated films of 2026, and with its fire and erotic passion, it will be sure to whip audiences up into a frenzy, and you’ll want to watch this one on the biggest screen possible when it arrives in cinemas on Valentine’s Day 2026.

Image: Warner Brothers Pictures

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Academy Award nominees Margot Robbie and Colin Farrell are ready to step into a world of fantastical wonder and heartfelt love with the whimsical, imaginative and romance in director Kogonada’s romantic fantasy A Big Bold Beautiful Journey. And this new trailer will leave audiences spellbound.

Watch the all-new trailer for A Big Bold Beautiful Journey below:

Here’s the official synopsis:

What if you could open a doorway and walk through it to re-live a defining moment from your past? Sarah (Margot Robbie) and David (Colin Farrell) are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on A Big Bold Beautiful Journey – a funny, fantastical, sweeping adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present…and possibly getting a chance to alter their futures.

The first look grounds audiences in a story that brings together two distant strangers, both at a crossroads in their lives, who embark on a journey that sees them travelling across memory, time and the fullest reaches of their imagination, and it will really take audiences by surprise.

In watching this trailer, I feel that it creates an almost nostalgic buzz for a time and place beyond the audience’s own mind, and the experience of A Big Bold Beautiful Journey washes over the audience with a grand feeling of emotion and reverence. Not only is this a narrative that is pushing way out to left field, and which presents a feeling of total wonder and bliss, but its the unexpected pairing of Robbie and Farrell that also builds a sense of intrigue and there’s an undeniable sense of chemistry held between the two of them that is sure to propel the feature and surprises will abound with this one.

A Big Bold Beautiful Journey appears to also be following is a resurgence to the box office with the romance genre again looking to take centre stage following on from the success of Anyone But You and the forthcoming Materialists, and there’s a real mood and feeling that romance movies are back and audiences are clamouring for their heart-touching vibes.

Get ready to open your heart and experience something truly magical when A Big Bold Beautiful Journey arrives inc cinemas on September 16.

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After being expelled from the utopian Barbie Land for being less-than-perfect dolls, Barbie (Margot Robbie) and Ken (Ryan Gosling) go on a journey of self-discovery together to the real world.

For more than sixty-four years, Mattel’s Barbie has provided little girls with a heroine who showed that they could be anything they wanted to be. As an icon of femininity itself, Barbie inspires love and happiness in the minds of so many people, and now her story arrives on the big screen. And it’s everything. Filmmaker Greta Gerwig jumps into the plasticised world of primary colours, stylish fashions and beach party-dreamhouse fun and delivers audiences a cinematic feat that is both everything they would hope for and incredibly thought-provoking at the same time. With its self-aware narrative and fully rendered vision, Barbie is the story of one doll’s journey to discover self-love and the acceptance of who she is, and her story will touch your heart.

Gerwig’s vision for Barbie is enormous, and she takes the famed doll and her hapless boyfriend, Ken, on a massive voyage of self-discovery. This is a narrative that works on so many different levels, and Gerwig takes a focus that is not only celebratory of Barbie and the phenomenon that she is, but also dissects the manufactured illusion that surrounds her. A key source for the story, and Gerwig’s direction, is Mary Pipher’s Reviving Ophelia, which accounted for the effects of societal pressures on teenage girls in the 1990s, and its text has a big impact on the direction of the story. This narrative is filled with unexpected surprises and smart thematic touch points which resonate with all of the audience, and Gerwig has crafted a film for everyone.

In a piece of perfect casting, Margot Robbie is Barbie. With her flowing platinum blonde hair, shapely figure, flawless smile, stylish wardrobe, cheerful and exuberant personality and sublime life in Barbie Land, she’s the doll with everything. She is everything. And that’s where it gets interesting. When her perfect life suddenly takes a not-so-perfect turn, we see this Barbie undertaking a mission to enter the ‘real world’ and come face to face with reality, and it leads into the most transformative arc for this iconic character.

Robbie’s portrayal of Barbie is her seminal performance. Initially shaped by ideas of beauty, fun and exuberance, it soon becomes clear that there’s a lot more going on for Barbie. And she’s in for a wake-up call in the real world. This narrative pushes Robbie in every direction, and her concentration and commitment to the character is flawless. We see the world through her eyes, and she offers the audience a reflection of our own reality that none of us is expecting. Robbie’s an actress with her finger on the pulse of what her audience wants, and she delivers an incredibly powerful presence as Barbie that will resonate with all who watch her.

He might be a 10, but he’s just a Ken, and Ryan Gosling is a piece of genius casting on behalf of Gerwig to bring this plasticised doll to life. As the egotistical, vain, narcissistic, and thoroughly idiotic Ken he excels. But even though he might be ‘perfect’, Gosling’s Ken is completely insecure, desperate and needy for Barbie’s love and attention, and Gosling’s performance is addicting to watch. Like Robbie’s Barbie, he goes on quite a journey in this story, and he sure brings the ‘kenergy’. He also shares a natural chemistry with Robbie, and their back-and-forth only adds to the energy and fun of the picture.

A key part of the joy of Barbie is its fully realised world-building, and there’s a whole host of Barbies and Kens that make up this picture. Issa Rae, Kate McKinnon, Hari Nef, Alexandra Shipp, Emma Mackey, Sharon Rooney, and Dua Lipa bring a considerable level of energy as our Barbies, while Simu Liu, Kingsley Ben-Adir, Scott Evans and Ncuti Gatwa make for plenty of fun as the Kens. Michael Cera acts as a touchpoint for normalcy as Allan, and then there’s Emerald Fennell as Midge. Poor Midge. Of vital importance to the film’s narrative is America Ferrera as Gloria, who serves as a reflection for the audience and whose sense of self as the ‘every woman’ leads to the film’s key revelation. All of these performers bring such jubilation to the film and make it that much more special.

As an experience, Barbie is a film with serious style and Gerwig and her production team fully embrace a sense of real ‘authentic artificiality’ that is mirrored in a sense of nostalgia and memory. Barbie is a film of contrasts, with the plasticised, almost Technicolor presence of Barbie Land, which finds its inspirations in the classic Americana of the 1950s, the French Riveria of the 1960s, and the pumped-up consumerism of the 1980s with our own world. Set designer Sarah Greenwood and decorator Katie Spencer have permission to dream with this picture, and what they realise is spell-bounding. Costume designer Jacqueline Durran’s work on the film is out of this world, and she takes inspiration from Barbie’s collected wardrobe and pairs it with unique Chanel pieces that express different ideas of femininity throughout the picture.

Barbie is a pure, dazzling party of delight, and the film’s music has a major influence on the audience’s interaction with the narrative. Gerwig and producer Mark Ronson bring together a ‘guilty pleasure’ mix of fun and sound in the music of Barbie and artists including Dua Lipa, Nicki Minaj and Ice Spice with Aqua, Charli XCX, Karol G and Aldo Ranks, Sam Smith, Tame Impala, Haim and Billie Eilish bring their unique talents to a fabulous soundtrack. The music of Barbie is a unique character within the film, and you’ll be grooving in your seat with this funky jukebox of hits.

With its clever narrative, fun characters, stylish costumes and a production filled with every shade of pink imaginable, Barbie has everything that audiences could want. But within its story is a deep and layered thematic story that examines the very idea of womanhood itself. Gerwig balances the light, energy and whimsy of Barbie with her beach days, girls’ nights and dance parties with a serious exploration of the female self and spirit. This film offers a touching exploration of femininity in today’s age, and Barbie’s place within it, and audiences will find themselves extremely moved by it.

Barbie is a cinematic experience of pure happiness and joy that will get audiences dancing in their seats. You can’t help but embrace the enchantment of this magical movie experience, so grab your girlfriends and maybe a Ken or two, and head along for the best day out at the movies EVER!

Image: Warner Brothers Pictures

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Watch the brand-new trailer for Barbie NOW:

Check out our thoughts on the new Barbie trailer here:

Here’s the full synopsis:

To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken.

As one of our most anticipated films of 2023, this new trailer for Barbie has us hyped and it gives audiences a terrific impression of what audiences can expect from the film. Building off of the recent teaser trailer, this full trailer for Gerwig’s Barbie showcases Margot Robbie’s Barbie living the perfect life in Barbie Land. Until she starts to get real. With reality closing in around her, she has to undertake a journey to the ‘Real World’, with her happy idiot boyfriend Ken (Ryan Gosling) in tow, and it’s there they find equal parts trouble and fun.

Gerwig’s focus with the Barbie film is to craft a film that will appeal to a wide array of viewers. And with you’re a Barbie-made fanatic, or someone who has given up on the beloved doll, you’ll be very pleased with this movie. With its neon colour palette and fun-loving vibes, Barbie looks like a rollicking good watch, but set against this is a considered intellectualism and a great sense of satire that will bring a smile to audiences’ face. Both drama and comedy appear to have the perfect match in this film, and there’s a good dash of romance and adventure that will bring a smile to audiences’ faces.

From the very beginning, Margot Robbie was perfectly cast as Barbie, and she shines in this new trailer. And paired with Ryan Gosling as the goofy and hapless Ken, we have a pair that will level the experience of this film up and it all leads to plenty of laughs. As a performer, Robbie is never one to shy away from a challenging role, and her performance as Barbie appears to give her the most complex role of her career to date. And we can’t wait to see what comes next with it.

Along with its colourful and chirpy characters, it’s the sense of Barbie’s greater ambience, colour palette and design that draws audiences in. This clash of the manufactured plastic illusion of Barbie Land with that of our real world was a conscious decision on behalf of Gerwig who drew inspiration from classic musicals including The Red Shoes and The Umbrellas of Cherbourg for the film’s aesthetic in what she calls ‘authentic artificiality’. Audiences will want to get down and party with the Barbie movie and following the release of the trailer, pop star Dua Lipa, who portrays Mermaid Barbie in the film, has released a brand new song from the film’s soundtrack with ‘Dance The Night’.

Check out the full video for ‘Dance The Night’ below:

We’re ready for the pastel-coloured, Barbiecore fun that awaits with Barbie arrives in cinemas on July 20, and this is a cinematic experience you’re not going to want to miss out on.

Image: Warner Brothers Pictures

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Watch the new trailer for Barbie here:

Here’s the official synopsis:

To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken.

Noted filmmaker Greta Gerwig is ready to spin the world’s best-known doll, Barbie, for a loop with her brand new movie that finds a Barbie (Margot Robbie) who is not quite perfect and is seemingly kicked out of Barbieland, with her dim-witted boyfriend Ken (Ryan Gosling), who suddenly find themselves in the real world and it gets crazier from there.

This first trailer for Barbie is just wild and Robbie and Gosling appear to be in their element. While the first teaser trailer gave us a taste of what was to come, this new teaser trailer really highlights the aesthetic, tone and comedy that the movie is about to give to audiences and it’s just pure fun.

Gerwig promised audiences something different with the Barbie movie and with its pink aesthetic, accessories galore and back and forth banter between Barbie and Ken, along with an expanded world of Barbie’s and Ken’s, the Barbie movie is going to be something that is going to truly surprise audiences.

So make sure you’re fully Barbiecore ready for all kinds of fun, laughter, surprises and hi-jinks when Barbie arrives in cinemas on July 19.

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Watch the full teaser trailer below:

Directed by Greta Gerwig, Barbie will bring to life the story of the famed doll like never seen before, and celebrated performers Margot Robbie and Ryan Gosling are stepping into the story as Barbie and Ken. But this isn’t the film you think you’ll be getting with Gerwig and Robbie working to subvert the expectations of audiences and give them something wild and crazy and something they didn’t quite expect.

This first teaser trailer is exactly in that mould as Gerwig riffs off of the famed opening to Stanley Kubrick’s seminal science fiction work, 2001: A Space Odyssey, and announces the arrival of Robbie’s Barbie. It’s a snapshot of what is to come, but this film looks loud, bright and wild and audiences will be in for a hell of a lot of fun with Barbie!

So find your best outfit, ready your favourite accessory and get ready for some fun when Barbie arrives in cinemas on July 20, 2023.

Images: Warner Brothers Pictures

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Three friends — a doctor, a nurse, and an attorney — become the prime suspects in a murder in the 1930s, and at the centre of one of the most shocking secret plots in American history

When it comes to modern cinema one of the artforms’ most intriguing and innovative voices belongs to David O. Russell. A clever and calculating writer-director, Russell has continued to hold onto his independent voice, along with finding a place to work within the studio system, and his films always offer audiences something different in relation to narrative. Now with Amsterdam, Russell returns to cinemas with his first film since 2015’s Joy, and this multi-character mystery comedy thriller is a real treat for audiences who are seeking something different and entirely quirky.

While the less that is said about Amsterdam’s plot line, the better for audiences, this is a unique set period comedy-thriller that throws in plenty of twists, turns and conspiracies and uses all of its scenery and space to its advantage. Russell takes his time with the narrative and dives intimately back and forth with his three unique lead characters, Dr Burt Berendsen (Christian Bale), a doctor with a glass eye and WWI veteran, Valerie Voze (Margot Robbie), a nurse and conceptual artist, and Harold Woodsman (John David Washington), a lawyer and fellow WWI veteran who served alongside Berendsen. The extensive exploration and set-up of the film’s narrative verisimilitude are of the utmost importance to Amsterdam, and the shocking twists that reveal themself right in the middle of the picture make for one massive punch. And it’s one hell of a wallop. Mixed in is some terrific dry humour, and fans looking for a story that will keep them guessing are well rewarded with Amsterdam.

Amsterdam is a film driven by character, and Russell delivers to audiences some of the most original characters to arrive on screen. Christian Bale is an absolute scene stealer as Dr Burt Berendsen, a physician who is a little too eager to take his own medicine but who carries a massive conscience and adherence to duty. Margot Robbie is thoroughly off-the-walls as nurse turned artist Valerie Voze and she’s extremely experimental in the performance that she brings to the screen and her off-beat quirks will raise a few eyebrows. Bringing this trio together is John David Washington as the stoic and gentlemanly Harold Woodsman, who adheres to a strict code of ethics, and who cuts a very sharp figure when he appears on the screen. Bale, Robbie, and Washington feed off of each other’s performances, completely disappearing into their characters, with this marking Amsterdam out as a refreshing watch.

The supporting cast also gets top marks, and the adherence to character results in some very fun moments on screen. Rami Malek and Anya Taylor-Joy make for a great pair as married couple Tom and Libby Voze, and both get to play against type which gives each of them plenty of bewitching moments, with this especially applying to Taylor-Joy who gives a total 180-degree performance. Veteran performers Mike Myers and Michael Shannon bring their own quirkiness as complementary partners who are a real ‘odd-couple’ pairing in the best way possible. Then there’s celebrated legend Robert DeNiro who is again perfectly cast as General Gil Dillenbeck, and he brings his own special magic to the project.

There’s a lot going on throughout Amsterdam, and this is an incredibly smart, inventive and unique piece of cinema. With this film we see Russell swinging for the fences and working actively to do something different with a mix match of genres, and it makes for an intriguing watch. Audiences seeking a thoroughly intellectual cinema experience will be pleased with this film and its attention to detail and pace mark it out as something distinctive and idiosyncratic.

Amsterdam is a singular film of vision, and its craft and creation are sure to entice audiences who are curious about something a little bit different.

Image: 20th Century Studios

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