Watch the all-new teaser trailer for Primetime below:

Here’s the official synopsis:

In 2006, To Catch a Predator host Chris Hansen sets out to make television history.

Directed by Lance Oppenheim in his theatrical debut, Primetime takes audiences back to the earlyt 2000s, where journalist Chis Hansen stumbles upon a radial use of reality TV, and in the process crafts hard-hitting shock realoty TV series To Catch A Predator, which becomes a sensation, and Primetime isn’t holding back in how far it’s ready to push its narrative towards the edge.

While it had been known for sometime that Primetime was inspired by Hansen and To Catch A Predator, it came as a shock to many that Pattinson would actually be portraying the Hansen, and this elevates Pimetime to a cinema release that is decidely more interesting because of it.

View this post on Instagram

A post shared by A24 (@a24)

With it’s neon-tinged cinematography and edgy kinetic-presence, Primetime is sure to keep audiences on their toes, and it’s not going to be one for the faint of heart, but given Pattinson’s pedigree for delivey excellence, Primetime is certain to keep audiences primed for something very interesting.

Primetime will arrive in cinemas this September.

Image: A24

The post Robert Pattinson delivers a confronting presence in A24’s ‘Primetime’ appeared first on SpicyPulp.

A happily engaged couple is put to the test when an unexpected turn sends their wedding week off the rails.

Kristoffer Borgli’s Descent Into Beautiful Chaos

Following the surreal bite of Dream Scenario, filmmaker Kristoffer Borgli pivots into something even more volatile. The Drama sees Borgli sharpening his voice with a kinetic, almost anxiety-inducing style that thrives on discomfort. His direction is jagged and unpredictable, constantly keeping the audience off balance as he digs deep into his characters’ emotional fractures.

What begins as a familiar romantic setup quickly mutates into something far more chaotic. Borgli doesn’t just explore conflict; he weaponises it. The result is a film that feels alive with tension, its tone shifting between biting satire and outright psychological unease in the blink of an eye.

One Confession, Total Collapse

At the centre of The Drama are Emma Harwood (Zendaya), a marketing executive at a literary agency, and Charlie Thompson (Pattinson), a museum curator. They’re weeks away from their wedding, caught up in the whirlwind of tastings, rehearsals, and celebrations that define the lead-up to the big day.

But everything fractures during a seemingly harmless game: a cheeky dare to reveal the worst thing they’ve ever done. What follows is a confession so explosive that it detonates the very foundation of their relationship. From that moment on, The Drama shifts gears entirely, plunging into a spiralling descent of mistrust, paranoia, and emotional volatility.

What’s most striking is just how early this revelation lands. Borgli wastes no time pulling the rug out, setting the stage for a narrative that becomes increasingly twisted, unpredictable, and, at times, uncomfortably raw.

Chemistry Turned Combustible

Zendaya and Pattinson are magnetic together, bringing an effortless chemistry that initially grounds the film in something recognisable and intimate. But as the narrative fractures, so too does their dynamic. What begins as warmth and connection quickly mutates into suspicion, resentment, and emotional warfare.

Rather than delivering a conventional romance, The Drama becomes a jagged exploration of truth, trust, and identity. It asks a deeply unsettling question: how well do we really know the person we love? Both actors rise to the challenge with fearless performances, embracing the film’s tonal swings and pushing their characters into increasingly volatile territory.

Tension, Paranoia, and Pitch-Black Comedy

What makes The Drama so compelling is its relentless escalation. Borgli continuously tightens the screws, layering moment upon moment of unease until the tension becomes almost unbearable. And just when it feels like things can’t possibly get worse, they do.

Yet amidst the anxiety and emotional carnage, there’s a razor-sharp comedic edge. The film thrives on its ability to pivot from intense psychological confrontation to wildly inappropriate, laugh-out-loud moments. It’s this balance of shock and humour that gives The Drama its unique bite, making it as entertaining as it is unsettling.

Unpredictability is the film’s greatest weapon. Every scene feels like it could tip in any direction, keeping audiences locked in a state of constant anticipation.

Final Verdict: A Twisted Love Story That Leaves a Mark

For those seeking safe, traditional storytelling, The Drama is not that film. Instead, it’s a bold, boundary-pushing experience that dives headfirst into the darker edges of intimacy and human connection. It’s messy, volatile, and at times deeply uncomfortable, but that’s exactly the point.

With its fearless performances, razor-sharp direction, and an unflinching commitment to its chaotic vision, The Drama stands as another striking entry in A24’s ever-evolving catalogue. It’s a film that lingers, gnaws, and provokes long after the credits roll.

Image: A24 Films

The post ‘The Drama’ – Wedding Vows Turn Venomous in A24’s Boldest Mind Game Yet – Review appeared first on SpicyPulp.

Check out the full trailer for Dune: Part Three below:

Drawing from Dune Messiah, the story follows Paul Atreides (Timothée Chalamet), now deified as Muad’Dib and ruling as Padishah Emperor. His holy war has torn across the galaxy, leaving devastation in its wake, and Paul now finds himself encircled by enemies, conspiracies, and the ever-present shadow of death. At the centre of this rising storm is Scytale, a Tleilaxu Face Dancer (Robert Pattinson), whose calculated and deeply personal conspiracy begins to unravel Paul’s fragile grip on power—and sanity.

 

View this post on Instagram

 

A post shared by DUNE (@dunemovie)

With Dune: Part Three, Villeneuve leans fully into Herbert’s most provocative ideas: that charismatic leaders are dangerous, that hero worship breeds ruin, and that even the most powerful figures are undone by their own inner flaws. It’s a bold thematic pivot that promises a darker, more introspective conclusion to the saga.

Once again, the scale is staggering. Arrakis returns in all its harsh majesty, while the consequences of Paul’s interstellar jihad echo across a broken universe. The returning ensemble is as formidable as ever, with Zendaya, Florence Pugh, Rebecca Ferguson, Josh Brolin, Charlotte Rampling and Javier Bardem all reprising their roles. Notably, Jason Momoa returns as Duncan Idaho; reborn as the ghola Hayt, a haunting echo of the warrior once loyal to House Atreides.

 

View this post on Instagram

 

A post shared by DUNE (@dunemovie)

New faces further elevate the drama, including Anya Taylor-Joy as Alia Atreides, Paul’s sister; a formidable, almost otherworldly presence of immense psychic power. Opposite her, Pattinson’s Scytale emerges as a cunning and ruthless adversary, one who sees the fatal flaw in Paul’s empire and moves to exploit it.

 

View this post on Instagram

 

A post shared by DUNE (@dunemovie)

Dune: Part Three is shaping up to be an immersive, visually spectacular, and emotionally charged finale—one steeped in political intrigue, existential reckoning, and the devastating cost of absolute power. Following the monumental achievements of Dune and Dune: Part Two, this final chapter looks set to close Villeneuve’s epic with seismic force.

 

View this post on Instagram

 

A post shared by DUNE (@dunemovie)

Prepare to walk the sands once more when Dune: Part Three arrives in cinemas on December 17.

Image: Warner Brothers

The post Denis Villeneuve delivers the epic conclusion to a monumental science-fiction epic in ‘Dune: Part Three’ appeared first on SpicyPulp.

Check out the brand new trailer for The Drama below:

Here’s the official synopsis:

A happily engaged couple is put to the test when an unexpected turn sends their wedding week off the rails.

Building off of the already taut experience that was The Drama’s first teaser trauiler, this full trailer pulls audiences into the jitters and sudden fallout of a revelation shared between engaged couple Emma (Zendaya) and Charlie (Robert Pattinson) that appears out of nowhere, but which barrels forward like an out of control freight train, and you can forget about trying to figure out what direction The Drama is trying to head in, because things are about to get loco.

Both Zendaya and Pattinson are in tip-top form with this new project, and filmmaker Kristoffer Borgli really rackets up the tension with this one, and coming from the guy who crafted the superb Dream Scenario, we have massive expectations for The Drama, and you just know he’s going to push this one in the most deranged direction possible and we’re down for it.

View this post on Instagram

A post shared by A24 (@a24)

Get ready for all kinds of drama when The Drama arrives in cinemas on April 3.

Image: A24 Films

The post Pre-marital jitters slam into big secrets for A24’s ‘The Drama’ appeared first on SpicyPulp.

Watch the all-new teaser trailer below:

Here’s the official synopsis:

A happily engaged couple is put to the test when an unexpected turn sends their wedding week off the rails.

While the new teaser trailer for The Drama only hits at ‘the drama’ to follow, it provides an incredibly interesting tease of what is to come while again showcasing a fertile stage for both Hollywood heavyhitters Zendaya and Robert Pattinson to play upon, and its clear that The Drama will showcase a hell of a lot of emotional range, and it’s going to make for a very heavy watch.

A would-be engaged couple, Emma and Charlie, you can sense the rising tension playing out amidst the actors, and there’s a bubbling explosiveness playing out here that’s going to rise to the surface in a terrible way. It makes for an intriguing experience as an audience member, and given the talent both Zendaya and Pattinson bring to the screen, audiences will absolutely be ready for this.

 

View this post on Instagram

 

A post shared by A24 (@a24)

Get ready for ‘the drama’ when The Drama arrives in cinemas next April 2026.

Image: A24 Films

The post You’re cordially invited to A24’s ‘The Drama’ appeared first on SpicyPulp.

Grace, a writer and young mother, is slowly slipping into madness. Locked away in an old house in and around Montana, we see her acting increasingly agitated and erratic, leaving her companion, Jackson, increasingly worried and helpless.

From its first frames, Die My Love refuses to sugarcoat a thing. Ramsay goes straight for the nerves, and her no-holds-barred approach to emotional chaos hits like a slap. Isolation, malaise, and the crushing hollowness of postpartum depression erupt violently into Grace and Jackson’s lives, and Ramsay captures it with a disturbingly intimate eye. The film shifts between modes effortlessly, at times feeling like a real-time psychological documentary, at others dissolving into dreamy, ethereal unreality, before tearing violently into jagged, manic madness. There’s no safe harbour here. Ramsay keeps her audience perched on the edge of a razor, and she never lets them lean back, not even for a second.

Her command of the extremities of human feeling is unflinching. This is a film about the dangerous corners of motherhood, the guilt, the rage, the hopelessness, the self-harm impulses, and Ramsay refuses to blink. It’s harrowing. It’s confrontational. But my god, it’s honest. And in that brutal clarity, the film finds its greatest power.

At the centre of this storm is Jennifer Lawrence in what is unequivocally the most fearless, most devastating performance of her career. As Grace, she removes every barrier between herself and the audience. There’s no vanity, no star aura, no protective layer, just raw nerve, exposed emotion, and the cold, unforgiving truth. Lawrence embodies a portrait of motherhood that strips away every cinematic comfort. She plays Grace as restless, volatile, yearning, furious, and heartbreakingly fragile, and as the character’s hormones, boredom, shame, and unrelenting depression drag her deeper into darkness, Lawrence commits to every moment with staggering bravery.

What makes her work so affecting is that we do see glimmers of joy, fleeting but real moments where Grace brushes against happiness, touches light, even sparkles. But Ramsay ensures they don’t last, and when the chaos swallows them, the heartbreak hits twice as hard. These scenes of collapse; messy, painful, impossible to watch without wincing are where Lawrence’s genius is at its sharpest. She doesn’t act the pain; she inhabits it. And the result is a performance that demands to be recognised and remembered.

Sharing the screen with Lawrence, and giving the story its unsettling counterpoint, is Robert Pattinson as Jackson. At first glance he’s got the cowboy charm, the grin, the easygoing banter. But Jackson is a hollow man: a smooth-talking shell filled with jealousy, dishonesty, irresponsibility and a gnawing sense of inadequacy he never quite faces. Pattinson sinks his teeth into this with a wicked sense of purpose. He plays Jackson as a man pretending to be “the man”: flirty, needy, petty, and completely out of his depth. It’s a clever, slippery performance, and the frayed, volatile chemistry between him and Lawrence gives the film its most combustible scenes. Their marriage is a slow-motion car crash you can’t tear your eyes from.

Visually, Die My Love is a knockout; a haunting, Americana-inflected fever dream that belongs on the biggest screen you can find. Cinematographer Seamus McGarvey crafts some of his most dazzling work here, leaning into extremes of colour and saturation that heighten both the beauty and the terror of Grace’s unraveling. The Montana landscapes feel mythic and merciless; the interiors claustrophobic and airless. McGarvey builds a world that mirrors Grace’s psyche; achingly beautiful one moment, sickeningly distorted the next.

Layered over this is a soundtrack that hits like a pulse: cool, unsettling, propulsive. It becomes an emotional undercurrent, winding itself into the film’s DNA and amplifying every moment of dread, desire, and descent.

Die My Love is not a comfortable film. It’s not meant to be. It is provocative, scorching, deeply disturbing, and built on pure, unrelenting artistic integrity. Ramsay isn’t interested in comforting audiences, she wants to confront them. To challenge them. To force them to sit in the mess of human emotion that most films are too scared to touch.
And in doing so, she has crafted something extraordinary.

Jennifer Lawrence delivers a career-high performance; bold, brutal, unguarded. Robert Pattinson, meanwhile, dismantles the myth of the rugged western man with sly precision. And Ramsay orchestrates it all with the precision of a master whose vision burns brighter and more ferociously than ever.

You don’t walk away from Die My Love untouched. It lingers. It gnaws. It unsettles. Days later you’ll still be thinking about it—about Grace, about Jackson, about the rawness of what you witnessed, and you’ll feel that eerie pull to revisit it, to re-examine it, to confront it again. Die My Love is not just a film. It’s an experience. A challenge. And one of the defining cinematic gut-punches of 2025.

Image: MadMan Entertainment

The post ‘Die My Love’ – Review appeared first on SpicyPulp.

The unlikely hero, Mickey Barnes (Robert Pattinson) has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living.

For more than 25 years, South Korean filmmaker Bong Joon-ho has proven himself to be an adept artist you can’t pigeonhole and who has mastered every part of the genre, delivering films that are not only fully engaging for audiences but which also deliver up unique thoughts and incredible discussion. He made waves across the globe with his genre-bending psychological thriller Parasite, which he would be lauded for with an Academy Award for Best Director. Now in his post-Oscar win, audiences have been eagerly waiting his next project, and he has gifted us with Mickey 17. Its narrative of sci-fi/comedy cloning satire is the perfect canvas on which Joon-ho can unleash his talents. Loosely adapting Edward Ashton’s novel Mickey7, Joon-ho takes the structure of Ashton’s story and completely makes it his own, utilising his own sensibilities and style in drawing out the psychological complexity of multiple Mickey’s and implanting a sharp social commentary that keeps audiences primed the whole way through.

In relation to the experience of this film, Mickey 17 is an audaciously original piece of cinema, feeling utterly refreshing as a cinematic experience. What we see with this film is Bong Joon-ho bringing his unique eye and expression of filmmaking, which has been honed with Eastern sensibilities and styles, onto a Western space of big-budget tentpole blockbusters, and the result is something totally unique. Everything from narrative and character development to cinematography, production design and score all feel different and completely in tone with the production, and there’s a creative depth and left-field style that makes Mickey 17 one of the cleverest films we’ve seen in recent years. Joon-ho also mines his film’s razor-edged satire to the fullest effect, and there’s incredible subtext present in his thematic exploration of what it means to live, love and ultimately die throughout this picture. His penchant for mixing genre is fully present throughout the film, and sometimes even within the same scene, as he moves from laugh-out-loud comedic moments to deep drama and chilling horror before returning to whimsical sci-fi. And it all makes for a film to be savoured in all its flavour.

Mickey 17’s complete delicacy of expression is made possible by an incredible performance from Robert Pattinson as the film’s protagonist Mickey Barnes, a good-meaning slacker, who is perpetually unlucky, and who signs up to be an ‘Expendable’ in order to escape his problems. Suddenly finding himself as a human lab rat/crash test dummy, Mickey undergoes the worst experiences possible in order to help the Nilfheim expedition meet its fullest potential. Along the way, with each Mickey, he learns more about himself and ultimately becomes a saviour figure for the human species in the most unexpected way possible. For Pattinson, a thespian who radiates in off-beat performances, Mickey Barnes’s character allows him the option of full expression, and he goes to town with his multiple character iterations.

These multiple Mickeys, chief among them Mickey 17 and Mickey 18, allow Pattinson a wide range of character expression and development. And that’s where the fun begins. As Mickey 17 he’s a slightly simple-minded yet genial everyman who’s just looking to belong before an ‘accident’ leads him to become Mickey 18, a psychotic bully with a hair-trigger temper and worse impulse control, and when these two Mickeys collide, the fun fully begins! Pattinson is offered great scope for experimentation with Mickey 17, and you get to see all of it across this narrative as he finds a way to develop each iteration of Mickey Barnes fully, with all of it adding to his total performance.

Bong Joon-ho finds a truly captivating supporting cast for this picture. There’s Naomi Ackie as Nasha Barridge, Mickey’s love interest, who makes for a gun-ho action star and delivers a considerable voice of reason to the plot. Steven Yeun’s Timo is the ultimate doucebag as Mickey’s sleazy ‘best friend’, and his cracking comedic timing will leave you with all the giggles. And then there’s Mark Ruffalo as Kenneth Marshall, an egomaniacal politician with a god complex grandeur than the very universe, and Toni Collette as his scheming and devious wife Ylfa, and these two are just the WORST, and some of the most disgusting screen villains we’ve seen in a long time. Each of these characters adds considerable depth and development to the overall narrative of Mickey 17, and they each hit their marks fully under Bong Joon-ho’s direction.

Mickey 17 is a film that takes plenty of risks with its narrative and, in the process, achieves in every category. Its originality and sensibilities as a production make it a fresh watch for audiences, and there’s a lot going on under the hood. From its observation of the banality of immortality to the pummelling of the worst of corporate culture and its reflection of a literal toxic work environment, Bong Joon-ho gives this film a texture and style all its own. Its off-beat and unexpected comedy will also have you in fits of laughter at the most unexpected moments, and it’s also surprisingly sweet at the same time. For Bong Joon-ho, Mickey 17 is a film that is worthy of his grand talent, and the audience is the clear winner with this one.

In conclusion, Mickey 17 is a wildly original and completely insane watch of genre-bending cleverness, which makes it one of the most thought-provoking and memorable cinematic experiences you’ll see all year.

Image: Warner Brothers Pictures

The post ‘Mickey 17’ – Review appeared first on SpicyPulp.

Check out the brand new trailer for Mickey 17 below:

Here’s the official synopsis;

The unlikely hero, Mickey Barnes (Robert Pattinson) has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living.

This new trailer for Mickey 17 gives audiences a terrific new impression of what lies ahead in this nutty science-fiction comedy which is a great send-up of the extremes of corporate culture and workplace hate, and Robert Pattinson is totally ‘koo-koo’ in the role of everyman turned expected human saviour Mickey Barnes, who just may hold the key to saving humanity’s entire existence.

As a filmmaker Bong Joon Ho has built a reputation for creating the most unexpected, yet completely resonating picture, that swim across an array of genres and characters, and with this, Mickey 17, his first feature following his Academy Award-winning win for the triumphant Parasite, audiences are definitely going to be in for a treat.

Robert Pattinson himself appears to be having the time of his life through the portrayal of the ‘expendable’ Mickey Barnes, and with 18 different versions of the character, audiences can expect the whole gamut of a performance from Pattinson as he gets to stretch out his entire thespian self. And there are sure to be plenty of surprises with this one when it’s done.

View this post on Instagram

A post shared by SpicyPulp (@spicypulp)

Brace yourself for a completely zany and totally off-the-wall experience when Mickey 17 arrives in cinemas on March 6.

Image: Warner Brothers Pictures

The post Prepare for multiple Robert Pattinson off-world hijinks in ‘Mickey 17’ appeared first on SpicyPulp.

Watch the full teaser trailer for Mickey 17 below:

Here’s the official synopsis:

Wanting to get out of Earth, Mickey Barnes (Robert Pattinson) signs up to be an “expendable”: a disposable employee where after one iteration dies, a new body is regenerated with most of their memories intact. After one of his “multiples”, Mickey 17, unintentionally survives a human expedition to colonize the ice world Niflheim, he goes head-to-head with a new multiple, Mickey 18.

Set to the groovy tunes of Dean Martin’s ‘Ain’t That a Kick in the Head’, Mickey 17 finds audiences introduced to the dim-witted Mickey Barnes (Pattinson), who desperately to leave a collapsing Earth, volunteers as an ‘expendable’ or deposable employee, and who becomes a tool for use by his corporate overlords. Until a freak accident sees ‘Mickey 17’ copied to ‘Mickey 18’, and from there, the comedy ramps up as Mickey goes on a crazy journey over self-discovery that could see him become a hero he never thought he could be.

Bong Joon-ho is one of the most exciting voices in modern cinema, and this first teaser trailer keeps things close to the chest. at the moment, we don’t quite know what awaits from this thoroughly manic first look, although it does look wild. The presence of multiple Robert Pattinson’s, all with their own unique personalities, including the rather aloof ‘Mickey 17’ and the psychopathic ‘Mickey 18’, will make this film a very entertaining watch.

Brace yourself for a thoroughly wild cinematic experience when Mickey 17 arrives in cinemas on April 17.

Image: Warner Brothers Pictures

The post Robert Pattinson gets multiplied in ‘Mickey 17’ appeared first on SpicyPulp.

For those who have yet to see The Batman, turn away now, because what we have here is a closer look at The Joker, as played by Barry Keoghan. Initially teased at the climax of The Batman when Paul Dano’s Edward Nashton/The Riddler is locked away in Arkham Asylum, the presence of a new Joker sent shivers down the spines of audience members and in this newly released deleted scene we get an all-new insight into the demonic presence of this crazed psychopathic villain.

Set out as an interrogation with Pattinson’s Batman seeking an insight into the mind and behaviour of The Riddler, this scene between the future arch-enemies suggests an initial run in between the two in Batman’s first year as a crime fighter and the scene as a sinister Silence of the Lambs quality with Keoghan’s Joker doing everything he can to get under Batman’s skin. While we don’t get a full picture of this Joker, it’s clear that he’s a horrifically scarred and burned freak and his madness and psychopathy is clearly on display.

Watch the full clip below:

How Keoghan will grow into the role of the Joker is still to be seen, but judging from this first look it’s clear that his version of the Joker in the Matt Reeves’ Batman narrative is going to be one hell of a freak.

The Batman is in cinemas NOW.

The post Take a look at The Joker in Matt Reeves’ ‘The Batman’ appeared first on SpicyPulp.